Showing posts with label Mouton Rothschild. Show all posts
Showing posts with label Mouton Rothschild. Show all posts

Wednesday, December 31, 2014

Mouton Rothschild's Wine Label Artist Series Releases

Mouton Rothschild's Wine Label Artist Series 2010 Release and 2012 Unveiling 

As we turn the calendar to a new year, we start the clock on a new vintage year for wines produced that are harvested from grapes during this calendar year.  I wrote this week about this milestone and the release of new labels with the vintage designation and the special attention afforded the new release of collector's labels. As part of my continued fun with, and study of wines, and the branding and packaging of such, see my blog on the annual release of Marilyn Merlot featuring an exclusive label photograph of the starlet actress Marilyn Monroe.

We're holding 1990
Mouton -
birth year wine of our
youngest son


No producer in the world captures the imagination or attention of wine collectors more than the premier first growth designated Chateau Mouton Rothschild with their annual series of artist and art inspired labels

There are a number of producers from around the world that have created an artist series of labels - one with images of the producer, one with artwork by the producer, ones with flowers, ducks, artist renderings of their winery and vineyards, or just collections of art in various forms. The is only one Mouton Rothschild who are the standard bearer extraordinaire for the practice.

Each year a renowned artist is commissioned to do the artwork for that vintage label. The featured artist is said to be paid ten cases of various vintages of the classic Chateau Mouton Rothschild for their work, which is significant since the wine can command close to a thousand dollars per bottle in top vintages.  

Many a collector can only dream of collecting a 'vertical' collection of the line of Mouton releases each with the unique release of a featured artist' dedicated work of art to adorn that vintage release of the wine. 

Mouton Rothschild labels have been produced by the world's most famous contemporary artists, Chagall (1970), Dali (1958), Picasso (1973), Miro (1969), Andy Warhol (1975), as well as other luminaries such as Prince Charles (2004) and Hollywood director John Huston (1982). Many other producers have established artist series, but there is only one Mouton Rothschild.

In 1945, Mouton patriarch Baron Philippe de Rothschild conceived the original idea of crowning the Mouton label with a work of art created for this purpose by famous artists: These have included paintings by Miró, Chagall, Braque, Picasso, Warhol, Bacon, Balthus, amongst others. Only 4 vintages have not had Artist's labels: 1953 which celebrated the initial purchase of the Mouton property, 1977 when the British Queen Mother stayed at Mouton and the Baron dedicated that year's vintage to her, 2000 where the label is enameled in gold with a reproduction of Jakob Schenauer's Augsburg Ram (see library), and 2003 which is devoted to Baron Nathaniel de Rothschild depicted in a period photograph celebrating the 150th anniversary of 1853 acquisition of the Mouton estate by the family (see library). 

Another interesting anomaly in the annual release occurred in 1993. The label by Balthus depicted a charcoal on parchment drawing of a young girl reclining in the nude. Since it is a frontal view, the label was considered inappropriate and was withdrawn from the US marketplace, replaced by a blank label variation with the  image removed against the background. I acquired and hold both versions in our collection. 

In my continued study of the art of Mouton label artists, I've created in my label library collection on my WineSite, comparative works of art showing the label art relative to other works of art by the featured artist. Shown in the collection at The Art Institute of Chicago is a print by Balthus featuring a young girl fully clad but in a highly seductive naughty pose. There is also a charcoal sketch by Balthus shown in the collection very similar to the label art that was removed - see Seated Girl, 1966 

Latest 2010 Mouton
release

We've just recently seen arrival of bottles of the 2010 release and its artistic label designed by American artist Jeff Koons (see left). This label is of interest since this vintage year is the birth year of our first grandchild and we're acquiring and assembling a special horizontal collection of select bottles from the year. 

In the coming months, we should see the arrival of Chateau Mouton Rothschild from the 2011 vintage with its artist inspired label. The latency in the release of the wine is due to the aging of the wine in barrels for an extended period of time before it is bottled and subsequently released, two to three years after the actual harvest. 

The 2011 label features brightly colored "sinuous, random" undulating shapes, in a style attributable to French artist Guy de Rougemont. Chateau Mouton Rothschild says the artwork encompasses "the clarity of vines in sunshine to the darkness of the cellars – all the stages of the birth of a great wine."

And with the new year also comes the recent announcement by the producer of their selection of the artist and art to adorn the 2012 vintage release label. So it is that the heralded Chateau recently announced the unveiling of the next vintage label with its special artwork.  

They recently revealed that the 2012 label (see below) was designed by Spanish abstract artist Miquel Barceló who used the château’s emblem, the ram, as a highlight and focal point for the work. The label features a watercolour abstract representation of two rutting rams standing on their hind legs set against a muted background of a green pasture amidst a blue sky and white clouds.  


1981 Mouton - our
daughter's birth year wine
Considered one of the most influential living Spanish artists, born in Felanitx, Majorca, the 57-year-old has had his work exhibited at the Paris Museum of Modern Art and the Louvre. He also works in sculpture, drawing, ceramics and cast iron, in addition to painting.

One of his most noted works, is the Miquel Barceló decorated ceiling of the Human Rights and Alliance of Civilizations Room, used by the United Nations Human Rights Council, in the Palace of Nations in Geneva. 

The work of art is a massive sculptural installation in the domed ceiling, officially presented to the United Nations by the Spanish government. The chamber was inaugurated by the King and Queen of Spain, U.N. Secretary-General Ban Ki-moon, the prime ministers of Spain and Turkey, and Swiss president Pascal Couchepin. The massive 16,000 ft ² (1,500 m²) project used 100 tons of paint, took a year to produce and cost $23 million.




Our wine budget doesn't allow for acquiring Mouton with each vintage, only special years as 'special occasion' wines. Most wine consumers are limited to normal conventions of wine acquisition - every day wines, once a week or once a month wines, once a year wines, and once in a lifetime or special occasion wines. 

As the top first growth wines have escalated exorbinantly in price in recent years, they're exclusivity is limited to the well heeled few, or those acquiring special bottles for very special occasions. 

Such is the case of our collection of Mouton releases for special years such as the birth years of our kids. Even then, as those prices escalated upwards to $1000 or more per bottle, I thinned those collections to but a mere few single digit bottles. 

Shown left is the 1982 Mouton Rothschild, commemorative bottle of #1 son Ryan's birthyear! 

Shown herein are the labels of some of those special bottles. 

See my complete Mouton Label Library collection and study at  http://www.mcnees.org/winesite/labels/label_library_pages/French_wine_label_pages/MR-Lbls/Label_Library_Mouton_Rothschild.htm .

Happy New Year!

Mouton 2012 label featuring
art by Miquel Barceló
Mouton 2011 label featuring
art by Guy de Rougemont
1993 Mouton 'blank' label
with inappropriate image
removed










Thursday, May 12, 2011

Grand Tour Chicago - Wine Tasting Extravaganza

Grand Tour Chicago - Wine Tasting Extravaganza

One of the ultimate wine tasting experiences besides actually visiting wine country is Wine Spectator's annual/bi-annual* Grand Tour - a wine tasting extravaganza of over two hundred producers. While its not a substitute for visiting wine country, it is an opportunity to meet the winemakers or producer representative directly, rather than their local distributors, which is the case is most tasting events.

There is something for everyone from standard bearer First Growths to breakout producers and new vintage releases, some revealing the artwork of new winemakers. A highlight is discovering new emerging labels or established labels entering new markets. Such was the case with the 2011 Grand Tour bi-annual visit to Chicago. Again this year it was held at Navy Pier's Grand Ballroom.

* Most cities including Chicago host Grand Tour every other year. 

Grand Tour in the Navy Pier Grand Ballroom

Such a broad and diverse offering can be daunting. One can approach the challenge of so many choices several ways - look for new discoveries, focus on known producers' new releases, wander serendipitously or randomly, or some combination thereof. We develop a detailed plan of what producers we want to visit and then determine tasting based on what they are serving - avoiding lackluster features and offerings we've already experienced. Our tasting route follows countries and regions that we know and collect - no room for experimentation in our plan.

Tasting so many wines in one evening quickly overwhelms the palate so we taste wines with which we have previous experience or familiarity. Lack of or diminished palate discrimination hinders wandering into new realms.We also focus on the more complex sophisticated wines early and move to the bigger, 'narrower' wines from there. You probably figured out by now - we taste reds and don't spend time on whites at such an event - the sole exception being Inniskillin Niagara Peninsula Riesling Icewine 2007 which was according to plan.

 We tend to focus on our selections and not be tempted to venture off plan otherwise one will never get through their preference list. We've been very diligent in keeping to our plan over the years although we deviated moreso this year than previously due to the size of our group.

Rick with Dan Kosta of Kosta Brown
Our preference list was only fifteen  percent of those available which is still thirty wines. I hit all but the most of the last half dozen which were ports as I ventured off and did explore some discoveries in chosen categories, such as the Aussie Shiraz's mentioned below, for example.

In the Pinot Noirs, we tasted perennial favorites Kosta Browne Russian River Valley 2009, Domaine Serene Evensted Reserve 2007, and Freestone Sonoma Coast Pinot Noir 2007, as all were pouring as yet untasted new releases.


The first growth Bordeaux features were Chateau Mouton Rothschild serving the spectacular 2005 vintage and Chateau Margaux pouring their 2004. We started with these as the chance to taste First Growth Bordeaux wines is a special occasion and valued experience. A Pauillac comparison was available with the Lynch Bages 2005, and the Pontet Canet 2008. Margaux was best represented of the Bordeaux appellations with Chateau Margaux, Chateau Palmer 2004, Brane-Cantenac 2003, Du Tertre 2005, and Giscours 2005. St Estpehe was represented by long favorite Cos d'Estournel. Standouts from the Bordeaux' besides the Mouton were Lynch Bages, Brane-Cantenac and  the Cos d'Estournel. Conspicuously modest and subdued was the Chateau Margaux '04 - perhaps too young to reveal itself.


Consensus highlight of the 'Big Cab' offerings was the Joseph Phelps Insignia 2006 with its rich chewy forward fruit and complexity. Notable entries were Niebaum-Coppola Rubicon '06, Beaulieu Vineyards Georges De Latour '07, Cliff Lede Poetry '07, and Beringer Private Reserve 2007 Cabernet Sauvignons. We passed on the Robert Mondavi Reserve Cabernet, Chateau St Jean Cinq Cepages and Etude. A new release offering that showed well was Gemstone Vineyards Yountville Ten (10th Anniversary Release) 2006 which is now made by Phillip Melka. The consensus underachievement was the Caymus Special Select 2008 as I was alone in our group to give it high marks.

We overlooked and missed the 2007 HALL "Exzellenz" Sacrashe Vineyard Red Wine ($165) not recognizing yet another new label, which was unfortunate given her recent spectacular releases of her Kathyrn Hall label. We skipped the Provenance having just recently enjoyed their 2007 Cabernet (perhaps their best to date). 



The Australian Shiraz category featured several new discoveries including Two Hands 'Zippy's Block' Single Vineyard Ronnefeldt Road Marananga Barossa Valley Shiraz 2007, D'Arenberg poured their highly rated 2006 vintage Dead Arm, Penfolds their RWT (we skipped both having already tasted), and Mollydooker poured their top shelf Velvet Glove Shiraz 2009. Two other Australian Shiraz discoveries of the evening were the Chateau Tanunda very limited release 2008 'The Château' - '100 YEAR OLD VINE' Shiraz and Hentley Farm 'Clos Otto' Barossa Valley Greenock Creek Shiraz 2008. Pictured at left is Chateau Tanunda's Dagmar O'Neill pouring 100 Year Vines Shiraz for Bill C.




The Grand Tour remains a highlight of our tasting experiences each year. At $200 it is not for the every day casual wine drinker or those content/satisfied to drink modest wines. For those looking to test their palate discrimination, to explore a wide variety or broad selection of wines, then the tour offers just that. of course there are many wine tasting opportunities out there that are less extravagant. With so many selections, care must be taken to pace, spit, and cleanse - not drink/taste too much too fast, spit rather than drink (swallow) if you're looking to taste more than you would normally drink, and rinse and cleanse your palate with the furnished water, bread, or crackers regularly to maintain any sense of discrimination. 

This year,  based on lessons learned in years past, we ate just before arriving which reduced the distraction of the institutional buffet food., and time taken from the wines. As we're not getting younger and some have bad knees, next year we'll absolutely have to pre-arrange for transportation back to the hotel - and as such we got hotel rooms in the city to simplify getting home at the end of the long evening. All that said, we're 'All-In', looking forward to the next Grand Tour, which regretably but also thankfully is at least a year away!


The folks from Hentley Farm (above)  and their
'Clos Otto' Barossa Valley Greenock Creek Shiraz 2008
The jury - Rick, Ernie, Bill, Dan, Eric and Lyle.